Excavating the Mind Round 2: The poem, the sequential mass

Amazing headlines and a burlap sack

 
I read across the yellowing paper under the burlap sack “Attraction Dear Reader Israel-Syria River Fastest Gun JFK To Head”

across from these headlines the fuzzy blue face admires,
casually aware of thumb tacks
ironic placement comes to light,
reminding me of cyclical efforts to tirelessly beckon sleep
and the weight that killing germs has taken on, so quickly changing focus
of mortal fears and intentions

Is the sky half full or empty when the clouds part only on my right?
wet makes the world reflective
I missed the camellia’s dance on the wind that must have caressed it
with strong gusts to deposit it so far from its bush.
Here, alone in loveliness, swirls of gaudy pink and white,
showing off its golden sex, it punctuates the pavement
But I can imagine the rhythm which lingers
in the metronomic drips of the accumulated leftover rain
microscopic twirlers within the droplets, like the camellia
her shocking cotton-candy petals betray her; she wants to fit in.
The relationship falters when she blooms; her strength and beauty overwhelm.
In a world of gigantic rhododendrons, this flower became a tree.

squatting down to see his world
new perspective’s surprises unveil
a small bit of crumpled foil on the walk so out of place like drugged teens
the follower staggers, attempting to communicate released control
he leads to places I can’t follow
and only pops his head out when I’m too slow
A canyon created, mysterious geological event.
Moss and detritus of trees collect on and in his new surfaces.
from here I see rot and damage near the base
but sometimes rot fuels new life, hope to feed a future
new points of view open whole new worlds, untouchable mysteries
he rears up, pounces on the unseen, again and again

Accumulating colors into the big box of crayons with the sharpener,
crayons juxtaposed with Miracle Gro Shake and Feed tell the story
of my nephew’s attention,
the hand drawn labels, his symbols of language
renaming my vegetables to be
adding the stove to the picture induces my own childhood
melting crayons between waxed paper to grow layers of color
to scratch away rainbow scenes of Halloween witches and jack-o-lanterns
trick-or-treating through the black layer of night

Joyful memories collect in a glass jar of buttons,
my precious gift from my mother who knows me so well,
a history of someone else’s sewing life, leftover closures,
one or more than needed for a loved one’s shirt, dress or coat,
or that one article of clothing wanted but too dear to afford,
replicated by a skilled hand over weeks or months,
this jar of time and intimate design found its way to a sink
next to a vacuum for cleaning a computer that,
at this angle, looks like a robot’s foot also by a sink,
a sink that dripped so it is turned off,
a useless sink, except for its shadow, swan-like, gliding to the jar,
to inspect the colorful contents, to peck and pry the lid,
to crave one button so entirely that it must pluck it in its beak
and taste its story only to enjoy the taste
of that story’s longing so thoroughly that it glides
down its throat and sticks there, choking and gurgling

Music, the skeleton key to memory, to emotion, to the subconscious,
enhancing the flavors of attention and mood
This decorative, vintage key I wear around my neck, the one
that opened our practice room in the old hotel that burned
or the small, recognizable key I called “the key to my heart” with a sly smirk
Music tempers all these keys, opens their doors with new light
flooding each room, perching on different objects each time
a blue note, turned orange by the days, alights a prism of shadows
the crooner’s microphone croons alone, a symbol of passions
warm vibrations again to come
I bob and sway to children’s songs of other lands
in the same way I move to your jazz variations
with joy of place and sound, with wonder and understanding,
I have no choice but to dance in my seat,
putting weight in my pelvis and shoulders, knowing my gut and my breast

I want to play, I search for toys and find
tiny soldiers hiding among the stones of the hearth
I want adventure and wander among the cinders inside the fireplace
goslings arrive as if to accentuate my childishness, so fluffy
this time the geese, now parents, don’t linger for photographic evidence
from the best side

Music holds history like a jar of buttons. A sound, the design of an age,
revealing tools, technologies, politics and fads
all revealed in only the first few notes of a needle on vinyl,
reminding me of a very different world view.
My innocent, naive openness, my rosy oneness
fueled by false advertising and deceptive equivalencies.
Her voice influences the lighting. His piano changes how I see.
The saxophone transports me through time,
then when the needle stops, I stop. I can’t go on with this manipulation.
I need silence, to rest and reflect. To clean up my mess.
Two lifetimes later, I remember everything
was in gelatin and the water tasted like iron,
but I can’t forget the man begging me for my ticket to the buffet

fresh goslings

Happy Reading and Writing!

One thought on “Excavating the Mind Round 2: The poem, the sequential mass

  1. Pingback: What color is your portal? Change it with online paint chips. | Experience Writing

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