It’s Writober! Time for some creepy flash fiction and poetry

across the street sI had pretty much spaced #Writober3 until this morning. Because I’m in New Orleans and my schedule is out of my hands, I won’t be as on top of my daily writing as I have been the last couple of years, but I’m going to try to do the daily poems for OctPoWriMo and I started adding pictures to a #Writober3 Pinterest board to inspire Halloween themed flash fiction.

The first pins I added are pictures I took from my immediate surroundings and a crow claw that I had on my camera from late July.  I decided not to number the images this year. Just choose the image on the day it speaks to you. I am going to start with this one:

painting of a girl s

The theme for this year’s Halloween party  is “Strange Brood” and this little lady definitely came from one. I think writing her story will  set the tone for a great #Writober.

The OctPoWriMo theme for today is Surrender. Here’s the poem I came up with:

Callistemon

Callistemon, the bottle brush tree
releases her red tassels
as I surrender to the moment
From elation as the light shines
through the erect, lush hibiscus
to the frustration of a burning throat
and muddy head of acclimation
I focus on the detailed lines of a glistening dragonfly’s wing
She extends
tail to the sun
on the tip of a twig
fully splayed

Like a kite escaping its tether
on a fitful wind, I surrender
to each fleeting change
Revelations bombard by the hour
The days pass too quickly
Each stuffed full of muti-days of meaning
I swirl in the dance of confusing splendor,
facing my first regret of ever catching your eye while I recognize the truth of my bliss
The white flag
wavers
I yield
to whatever comes

 

Happy Reading and Writing!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Top 10 Reasons To Go To A Writers Conference

I recently attended the Pacific Northwest Writers Association Conference (PNWA18). I had a great experience. Here are my top ten reasons to attend a writers conference:

Cover Writing the Breakout Novel10. Autographs – At PNWA authors can buy a table in the “bookstore” to sell their books. There is an autograph party where you can meet the authors and ask them to sign their books. The week before the conference, a member of my critique group gave me a copy of Writing the Breakout Novel: Insider Advice for Taking Your Fiction to the Next Level by Donald Maass. He didn’t know Mr. Maass would be at the conference, he just gave me the book out of the blue. I took itMaass Signature with me and was happy to see Donald Maass signing at the autograph party.

9. The speaker – This year’s speaker was R. L. Stine. His speech was funny and informative. He started off by reading letters he had received from children and followed up with some great advice. He said to always say yes to everything. He probably meant within reason, but I’ll leave that up to you. After his speech, he did a book signing. My friend Stevie was so excited to get her childhood Goosebumps book signed. It was a choose your own adventure about a mummy. I didn’t know he had done choose your own adventures. Mr. Stine was very kind and let people come behind the table for pictures.

8. Author panel – During one of the desserts, Robert Dugoni lead a hotseat style question and answer session with Donald Maass, Julia Quinn, Cat Rambo, and Christopher Vogler. They talked about how they got started and their careers. Mr. Dugoni did a great job of keeping it fun and lively.

7. Pitch fest pitch practice – This is a great opportunity at the beginning of the conference to meet other writers and hear about the stories they’ve written. Each round table has a coach to give feedback on your pitch, so it will be ready when you get your chance with the agents and editors.

Cover Extraordinary Life of Sam Hell6. Question and Answer sessions in your genre – This is a great opportunity to hear agents and authors talk about working in your genre. I volunteered to moderate the literary fiction section. The three agents who were looking for literary fiction talked about how they find and work with their authors, their favorite recent titles and gave great insider information about the literary journals they read when looking for new talent. Hint: Start reading Tin House.

5. Classes – One of the reasons writers really like the PNWA conference is that it focuses on the craft of writing. There are many great sessions to choose from. I got a lot out of “A Novel in Four Drafts” presented by Lindsay Schopfer and “Words Matter. Writing the Literary Novel” with Robert Dugoni.Dugoni signature

4. The agent and editor panels – This is a very important part of the conference. Finding the agents and editors most interested in stories like yours will help you make a successful pitch. It’s important to research the agents and editors before going to the conference, but even when you’ve done your homework, hearing the agents talk about what they’re looking for specifically gives you a much clearer picture if they will be a good fit for your work.

3. Pitching to agents and editors – Here’s the actual professional work of going to the conference, pitching your novel. If your manuscript is complete and polished, or you will have it polished by next year’s conference, I recommend buying the early-bird tickets as soon as they become available. The ticket is less expensive and comes with two pitch blocks. I think it’s important to have two pitch blocks because there is less pressure and if things do not go well in the first block, you can adjust your pitch and try again. Make sure your pitch is about 90 seconds long so there is time for questions. Include a quick description of your main character, the inciting incident and the crisis of your story, but don’t give away the ending.

2. Inspiration / Filling the well – Writing can be a very isolating and introspective vocation. Spending time with writers at every stage of their careers, listening to their personal stories and the stories they’ve written, and going to the sessions all help to get your creative juices flowing. In The Artist’s Way, Julia Cameron calls this “filling the well.”

And the most important reason to go to a writers conference is . . .

1. Relationships with fellow authors – I have met some amazing people at PNWA. Meeting other writers online is nice, but it is not the same as meeting in person. There’s just no substitute. Make sure to make business cards that not only express something about your novel, but also show your personality. Make sure to include all of your online platform information and hand those cards out to everyone who will take one. Be open and have fun meeting everyone. The joy of going to a writers conference is the concentrated evidence that everyone has a unique story to tell. It’s amazing.

Getting excited? A good place to start is heading over to pnwa.org and becoming a member. Not in the pacific northwest? That’s okay. You can attend the meetings online and the conference is open to everyone. If you would like to find a conference closer to your hometown, I created a map of US conferences to get you started in your search.

Remember to support your local authors.

Washington’s Emerging Writers Anthology now available!

Information about Almost Paradise, a short story by Maria L. Berg that is in the Washington's Emerging Writers Anthology

Click on the image to get your copy today!

Reading as a writer: Deconstructing a scene

image of the book Bad Monkey by Carl Hiaasen and a filled in scene deconstruction worksheet

This summer my wonderful local book store, A Good Book in Sumner, Wa, not only had a Summer Reading Bingo card, but came up with a Bingo card for writers as well. It looked daunting at first with squares like: Write your manifesto (turn your excuses upside down); Write seven days in a row; and Finish Something; but the more I worked on it, the more inspired I was to continue.

One of the final squares on my card before I got my blackout was, “Deconstruct a Scene.” The instructions were to read a scene from your favorite book/author and find what makes it work. I picked out scenes from different authors I enjoy and put the books on my desk with the scenes I’d chosen dutifully marked, but kept moving on to other squares of the Bingo card. Finally, I searched the internet to see if there were any forms or worksheets out there to guide me through the process of deconstructing a scene. I didn’t find what I was looking for, so I went to work creating my own.

I had recently attended my first meeting at the Pacific Northwest Writers Association (PNWA) cottage. I’ve been a member for years, but only watched some meetings online. I’m glad I went. Pam Binder gave a presentation on critique groups and created a hand- out with her ideas of how to evaluate a scene that were helpful. I also incorporated ideas from Writing Fiction: A Guide to Narrative Craft (8th Edition) by Janet Burroway, Elizabeth Stuckey-French and Ned Stuckey-French and The Twelve Questions in Frencesca Block’s The Thorn Necklace: Healing Through Writing and the Creative Process.

Deconstructing a scene

Evaluating a scene is similar to evaluating an entire story. A scene encompasses the same elements:

  • The point of view(POV) character, in a specific setting, wants something
  • Something or someone stops them from reaching that goal
  • This leads to crisis
  • Which leads to reflection and/or insight
  • Causing the POV character to change and/or come up with a new goal

The point of deconstructing scenes by authors you admire is to look for the techniques they use to make a scene stick with you. You want to identify the choices they make that appear so effortless and keep you reading like:

  • How do the characters express emotion?
  • What invoked emotion in you the reader?
  • Did something surprise you? Why? How?
  • What kept you turning pages?
  • Was there a hook at the end of the scene?

The Worksheet

I tested my worksheet on a scene from Bad Monkey by Carl Hiaasen. I chose this for my exercise because my current work in progress (I finished the first draft two days ago. YAY!) is in that vein: A murder mystery that brings a lot of eccentric characters into wild situations. The scene I chose did not specifically fit the scene and sequel structure, and I realized this by using my worksheet. I also discovered a technique to show emotion that I liked and may use in the future.

Filling out the worksheet didn’t take as long as I thought it would and the insight gleaned from filling it out was well worth the effort. The great thing about this Scene Deconstruction Worksheet is not only can I use it to read as a writer, but I can use it to evaluate my own scenes.

You can get a copy of my worksheet to use in your own reading and writing by signing up for my newsletter.

I want it button

When you do, you will receive a link to the file and a special message from me about once a month.

I hope that you will use this worksheet and find it as informative as I have.

Happy Reading and Writing!

 

Plotting with Tarot: Interpretation for a friend-The Perfect Romance Plot

This is fun! My friend Diana Rose Wilson was having a bout of writer’s block, so I mentioned trying plotting with Tarot to get some ideas. She tried it, said it took her down a rabbit’s hole and gave up, but said I could go ahead and interpret her spread. I decided to give it a try, thinking it might be fun to see if someone else’s spread might inspire a scene for me as well since the cards are interpretive symbols with immeasurable possible interpretations.

awesome notebooks

I decided to make this the first entry in my I Regret Nothing Journal from The Mincing Mockingbird & The Fantic Meerkat (I love these journals) and wrote down each of Diana’s cards and positions. Many of the cards she pulled were reversed which I found interesting. While doing this, I noticed she was missing a card for a Celtic Cross which looked like her intended form, so I pulled out my hand-made Tarot cards and found the cards she had pulled, put them in order she would have pulled her spread and then started shuffling and cutting for her final card.

I shuffled and cut my deck three times while thinking, What would be the last card in Diana’s spread and What would the outcome be for Diana’s story? Believe it or not, the top card after the final shuffle and cut was The Lovers. Perfect.

 

romance plot spread.jpg

I grabbed my copy of Jumpstart Your Novel by Mark Teppo, turned to page 75 (Note: after I published this post, I found out that Mark Teppo’s book is in second edition with significant additions, so that page number may not be the same in your book) and started my plot interpretation. During my first exploration of the Tarot last fall, I found that I liked using Teach Me Tarot for online interpretations, so I went to the site and started with Diana’s first card, The Ten of Pentacles in the search bar. The great thing about Teach Me Tarot is it thoroughly explores the upright and reversed positions for every card. Because I am using this for fiction plotting, I can pick and choose which aspects of the card, in the given position, are exciting to me for a plot-line.

Now that you know the tools I used for my interpretation, I’m going to give you my interpretation of the entire spread as a story plot. If you would like further instruction of how I came up with this interpretation, I highly recommend getting a copy of Jumpstart Your Novel by Mark Teppo, Mapping the Hero’s Journey With Tarot: 33 Days To Finish Your Book by Arwen Lynch, and reading my blog posts from November 2017.

Now. With no further build up . . . Drum roll please . . .

♥ Diana’s Most Amazing And Useful Romance Novel Plot! ♥

Your protagonist is wealthy on many levels: from a wealthy family and a well-known family name, may have old money or be “self-made” through hard work. S/he is from a close-knit, tight family unit and follows family traditions and customs. This protagonist starts out having it all, but something from the past threatens his/her happiness. Something from the past: a person, a document, a memory threatens to destroy this perfect life.

The story begins with the protagonist facing doubts and fears that something isn’t right. S/he wishes to let go and enjoy/reap the good life, but worries it is too good to be true. Whatever threat from the past has come to light (family, business, family secrets, blackmail, old business partner, old school friend, old lover, inheritance, current relationship falling apart, etc.), the protagonist has dug in his/her heels and stubbornly refuses to negotiate or compromise. There is a good chance that s/he is wrong, but pride/ego/family name is in the way. The protagonist becomes awkward and difficult, determined to keep the battle/conflict going. S/he will lose any honesty s/he had, willing to call black white to disagree on almost every item.

The protagonist wishes s/he could walk away, but because of original home/wealth/happiness, can’t. S/he wishes for space and time to think, to come up with a new approach, but is constantly pressured. S/he wants to find a way to be free from blame for every horror s/he is discovering created the wealth s/he enjoyed. And/or wants to know who is causing the unrest (blackmail/threats). And/or wants to come clean about past (family, business, secrets).

The protagonist makes an attempt create distance from the situation; makes a move from turbulent seas to calmer waters where s/he finds belief in self and sense of purpose. This is where the protagonist recognizes/discovers love for another.

No matter what this protagonist does, s/he is still a representative of the family s/he was born into, thus people see a person who: earned a place on the winners podium; earned success because s/he learned vital lessons of life; has balance in life and success that will be long term. This perception feels hypocritical and difficult through his/her changing reality.

The protagonist must overcome the past and transform into a lover. The love interest, met earlier, helps in discovery and realization with a sharp wit and intelligence. S/he sees through the wealth and prestige to her/his heart. This lover helps the protagonist to rise above the conflict and trouble. As lovers, they find the truth.

The protagonist finally finds real love–has changed from being selfish and entitled to someone who listens to needs, desires feelings, likes and dislikes and knows how to communicate his/her own. Through this change the protagonist finds balance and harmony in relationship and life.

The End

And there you have it–a delicious romance plot outline that you can use over and over again–from only one Celtic Cross Tarot Spread. Why do I think this is so fun? Because using this plot I already came up with these elevator pitches:

A young heiress, happily living in the lap of luxury, finds out she has been promised to her father’s business partner. Unless she can find proof that an accidental death that occurred before she was born wasn’t her father’s fault, she will have to marry a man she loathes, or her family will lose everything. With the help of a childhood friend, she delves into her family history finding more than her heart can hold.

A Pop-Star in the middle of a world-wide tour finds out that her manager has stolen all of her money and disappeared. Not able, or willing to return to her hyper-religious family who has “dis-owned” her,  she ends up in a dive-bar in a small southern town where she sings on a bar-stool for tips. When a disgruntled lawyer gets lost and finds her way to her arms, she promises to help her get her life back.

A young developer thinks he has it all: wealth, property, a thriving business and the best name to use as a brand all over the world. When his father dies, he expects everything to smoothly continue into his wonderful future, but the will is cryptic and suddenly he has to face the questions of how his immigrant grandfather made his money. The business runs itself, or at least stays still while he tries to follow his father’s odd clues that lead him to a mysterious woman and a new understanding of himself.

Like I said, this is fun. I came up with those in the last 15 minutes. They’re not great or anything, but they have what you need to start an intriguing romance novel (imho).

Diana mentioned she might read this interpretation and write a companion piece, so keep your eyes on her website.

Happy Reading and Writing!

N is for Noosphere

noosphere: noun – the sphere of human consciousness and mental activity especially in regard to its influence on the biosphere and in relation to evolution

 

An Apple Is An Apple

Would you like to play a game?
All you need’s an active brain.
It starts upon the physical plane
But is played in the noosphere.

As Vladimir Vernadsky said
There is power in your head
To change material processes
A new riddle risen before us

You won’t need to leave your room
We’ll start looking at a blot and boom
Association levels bloom
Some meanings and duration shared

It can be played in any season
Just use the force of human reason
To control the will of legion
With consequence beyond the surface

We’ll meet beyond the horizon of
The imaginable and then think above
A heart symbolic of to love
To a higher dimension of meaning

If a match, a vision shared
Was there energy when we paired
Measurable, material aired
In the realm of the unimaginable?

No? Let’s play again.

 

Further Reading

Would you like to learn more about the noosphere? You may want to check out:

150 Years of Vernadsky: The Noösphere (Volume 2)

Cosmic Humanism;: A Theory of the Eight-Dimensional Cosmos Based on Integrative Principles from Science, Religion, and Art by Oliver Reiser

A New Science of Life: The Hypothesis of Morphic Resonance by Rupert Sheldrake

The Global Brain Awakens: Our Next Evolutionary Leap by Peter Russell

Manifesto for the Noosphere: The Next Stage in the Evolution of Human Consciousness (Manifesto Series) by Jose Arguelles

The Economics of The Noösphere: Why Lyndon LaRouche Is The World’s Most Successful Economic Forecaster Of the Past Four Decades by Lyndon H LaRouche Jr. and Vladimir Ivanovich Vernadsky

Happy Reading and Writing in the Noosphere!

See you tomorrow.

L is for Lapidescent and Lamott

lapidescent – adjective – turning to stone; petrifying

Symbol in the Mountain

 

Watch for spiders when turning to stone

A spider outside titanium tombs admits to gathering glass and
Pokes positive whispers to flip
Lichen over rocky ruins welcome collected chlorinated streams to
Come to yes, the dust spinning
You between tungsten traps sanction catching carbonation and
Stay pro compliment still
Safety-pins under obsidian obsessions permit keeping keeps to
Arrive at every surrender lapidescent.

Anne Lamott’s Truth BombsSigned by Anne Lamott

Last weekend (for my birthday), my sweetie treated me to a talk by Anne Lamott at Benaroya Hall in downtown Seattle. Anne Lamott is the author of Bird by Bird: Some Instructions on Writing and Life. My cousin (whose birthday is the day before mine) got me this book for my birthday years ago when I started my first novel.

We had great seats stage left and while we waited for the event to start, I admired the modern style of the room. The pod-like, tiered balcony seats reminded me of the floating senate sections from Star Wars: Attack of the Clones.

When she was introduced, we were told she likes to drop “truth bombs” and she did. She started by answering the questions “How do we keep going in these troubled times? Where do we even begin?” Her answer: “The system works because we’re not all nuts on the same day.”

I enjoyed her truth that “Help is the sunny side of control.” It reminded me of all the times my mother so kindly tells me about job opportunities. And sometimes my “help” isn’t what people need.

And if you want to have a better life, “start each day by feeding the hungry babies.”

Her advice for writers?

  • Stop! not writing.
  • Trick other people into writing
  • Write terrible first drafts
  • Get a lot of help
  • Pay attention
  • Wake up

Her newest book Hallelujah Anyway: Rediscovering Mercy, in its gorgeous orange cover, was inspired by this song:

Though she said she sang it in church, so maybe not this particular version 🙂

These are fun too:

Want to listen to this song over and over? There are a lot of different recordings of Hallelujah Anyhow to choose from.

Happy Reading and Writing!

See you tomorrow.

K is for Kainotophobia and Kakorrhaphiophobia

kainotophobia – fear of change

kakorrhaphiophobia – fear of failure

Rorschach mask

 

Summer Comes Too Soon

Wind whips a chill of impatience. Roiling waves chop at the bulkheads and ramps, speeding the jade of aged concrete, leaving lapilliform spaces for the next surge to fill.
Only the lowest hills are free of the cloud blanket. Toes of snow hint of the giant hiding behind the screen.

Unexpected kainotophobia isolates and penetrates this paradise;
man versus nature in constant battle. He fights the clover, the moss, the dandelions;
the crabrass, lambsquarters, and pokeweed. He is always on the defensive
to the marestail and witchgrass. But kakorrhaphiophobia rules the day.
Every day. Every moment of every day. And he will rule his Eden prison, this utopian cage.

Molten lava heart
Commander of the cloud sky
All watch the mountain

Feather in the Foreground

This is my first attempt at a haibun. When I read the prompt, I worried that today would be the first time my word of the day didn’t fit with the theme, but I think it worked.

Interested in haibun? You may want to check out Contemporary haibun online,

or one of these books:
Journey to the Interior: American Versions of Haibun by Bruce Ross

Landmarks: A Haibun Collection by Ray Rasmussen

Journeys 2017: An Anthology of International Haibun by Angelee Deodhar

Happy Reading and Writing!

See you tomorrow.

J is for Jeremiad

jeremiad: noun – a prolonged lamentation or complaint

In you go

The NaPoWriMo prompt for today talks about the body as a union and about the future state of the union. It’s a fun coincidence that the prompt uses the state of the union as metaphor because Wikipedia states: “A jeremiad is a long literary work, usually in prose, but sometimes in verse, in which the author bitterly laments the state of society and its morals in a serious tone of sustained invective, and always contains a prophecy of society’s imminent downfall.” That sounds similar to a state of the union to me.

Thinking about the body as a union, I noticed that there are a lot of movement “J” words:
jut – extend up, out or forward
jump – to spring free from the ground
jumble – to move in a confused and disordered manner
juke – to fake (someone) out of position
juggle – to hold or balance precariously
jounce – to move in an up and down manner
jostle – to come in contact or into collision
jolt – an abrupt sharp jerky blow or movement
joggle – to shake slightly; to move shakily or jerkily
jog – to go at a slow, leisurely, or monotonous pace; to nudge
jive – the dancing performed to jive music
jitterbug – a jazz variation of the two-step
jitter – to make continuous fast repetitive movements
jink – to move quickly or unexpectedly; a quick evasive turn
jiggle – to move with quick little jerks or oscillating motions
jig – any of several lively springy dances in triple rhythm
jibe – to shift suddenly and forcibly from one side to the other
jettison – action of throwing
jet – to move or progress by or as if by jet propulsion
jerk – a single quick motion of short duration; jolting, bouncing, or thrusting motions
jar – a sudden or unexpected shake; an unpleasant break or conflict in rhythm, flow, or transition
jag – to move in jerks
jade – to weary or dull through repetition or excess
jabber – talk rapidly, indistinctly, or unintelligibly
jab – to poke quickly and abruptly; thrust

For today’s poem, I’ll try to work some of those great verbs into my jeremiad.

 

Make The Body Great Again

For too long this union was mind-focused.
A jitterbug of reading and typing,
eyes jibing, fingers jouncing
Hours spent sitting,
jading seats in chair, couch and mattress,
lost in thought and self-jabber
But I say Body first.

The brain is an organ, only one of many
We must set aside our differences
And learn to work together
Jettison idle mindfulness
Jar loose ideas, jig those joints to junctions
Jostle that jumble in juvenile jubilation
Juxtapose jogging with juried jurisdiction

Though we have a long way to go
We should focus on our many accomplishments
We have juked more than anyone could imagine
And jinked in ways no one could understand
Everyone is saying that our jiggle is the very best
But are they reporting it?
Why not focus on our great joggle for a change?

As we jut toward the stars and jab our own flab,
I say jump, get that body jostled
Remember, idle hands are the devil’s playground
There’s little we can do to completely
silence the jibber-jabber,
but a tired body quiets the mind.

 

Happy Reading, Writing and Juggling!

See you tomorrow.

April Is Coming: NaPoWriMo & A to Z Challenge & Me

Close-up of daffodils

Life Lessons: Always Learning

These last couple months, I have learned a few things about myself:

1. Joining the YMCA is a good way to pay money to inspire me to stay home and write.

2. In the Fall and Winter, I write stories that will eventually be called for on Dark Markets.

3. When Winter is over, I suddenly want to finish all my stories and send them out to get homes and readers. Guess that’s how I sow (I have plans to sew) my oats, so to speak.

4. I am good at physical (better than my self-imposed) deadlines, but I might as well stop telling myself I’ll start months ahead when I know the work gets done in the final week. It’s not procrastinating; I’m a thinker and I think better while doing other things.

5. And most pertinent to this post: I either blog once a day or once a month and there is very little in between.

Conclusion: I’m creative and like to be in the now of the creative process. I’m not a planner. Thus, starting my day with a blog challenge that includes creative writing is the most reliable way to get content here for you to read (Instead of, say, spending my time making klecksography–magnetic poetry with inkblot illustration–and posting it to twitter: My Klecksography Twitter Moment).

National Poetry Writing Month

With this in mind, I was happy to remember that April is NaPoWriMo – National (Global) Poetry Writing Month. It came to my attention when I did OctPoWriMo last fall. Since I enjoyed writing daily poems and continued to enjoy writing daily poetry through November and December, I am looking forward to doing it again.

Last Fall was an intense re-introduction to poetry for me. It started with the CalArts Poetry Workshop with Douglas KearneyI took (free) through coursera.org. The readings, examples, videos and assignments opened my eyes and inspired me to look for more poetry challenges. October Poetry Writing Month (OctPoWriMo) created by Morgan Dragonwillow( @MorganDragonwillow) was my first daily challenge and introduced me to a plethora of poetry forms.

After October, I wanted more, so even during the intense writing challenge that is NaNoWriMo, I joined another poetry challenge. Writer’s Digest offered the PAD (poem-a-day) Chapbook Challenge. I used the prompts and wrote poems from my characters’ points of view (mostly my MC) and it enhanced my NaNoWriMo experience.

When that challenge ended, I put together my first poetry Chapbook and entered it in the contest, but I wanted to continue and end the year strong, so I did the MoSt Poetry New Year challenge which offered prompts through the new year and part of January.

 

The Book

Journal: Carnet PAPERBLANKS modèle Nocturnelle Ultra 180x230mm – ligné by paperblanks

For Christmas, my sweetie got me the most beautiful hard-cover journal. I love the textured, embossed, old-world style with metal clasps and two attached ribbon bookmarks. To me, it is more than an everyday-morning-pages-stream-of-consciousness journal, or even a notes-for-my novel journal. So after writing in it for the first two days of 2018, I stopped. I thought I would use it for daily poetry, but I’ve been neglecting the daily poetry.  This beautiful journal will be one of my tools during the fabulous challenge that is April.

A to Z Challenge

When I joined Thursday evening’s #StoryDam chat, I was proud to announce that I had signed up for April’s National Poetry Writing Month, but then the second question of the evening was if anyone had signed up for April’s A to Z Challenge. The A to Z challenge is a challenge for bloggers to blog daily about a topic or topics starting with the letter A on April 1st and following each day (except for the following Sundays) with consecutive letters of the alphabet.

Now, I will admit, I had completely forgotten that April was also the month for this blogging challenge, but I quickly realized that it shouldn’t be too hard to combine the two. Since I am new to each of these challenges, this will be an experiment, but I see it being fun. I’m thinking for the A to Z challenge, I will challenge myself to a new word starting with the letter of the day. Then I will use that word in my NaPoWriMo poem.

I also want to continue my Craft Book Reviews. I’ve had a couple Jack Bickham books lined up for this week, but I guess you’ll get those on Monday. The letter B. I’ve also been enjoying a couple of John Dufresne books, so I’ll have to hurry and get those reviews ready for “D” day which will be next Thursday. Depending on how this goes, those may be all the Craft Book Reviews for April because I got excited and requested books by all four living Nobel Prize winning poets (before Bob Dylan; I already read his book Tarantula) from my local library and downloaded some e-books as well.

And if that wasn’t enough to keep you coming back to Experience Writing in April, I am going to see Anne Lamott, author of Bird by Bird: Some Instructions on Writing and Life speak. I hope I have a ton of writer wisdom to share after that!

Happy Reading and Writing!

See You Tomorrow.