Exciting News!! Deadly Again This Summer is out today!

Deadly Again This Summer is a story I wrote as an exploration of why young, athletic people drown in the lake each summer. It is a modern-day fairy tale in that it’s a cautionary tale of magical realism. This story is very close to my heart and I’m so excited that Z Publishing chose it for their first Fantasy anthology series. I want to thank Diana Rose Wilson  and Andrick Schall for their thoughtful critiques and suggestions.

I could not be more excited that this story found a home and is now available in this great anthology of fantasy. I hope you’ll order your copy today!!

Happy Reading and Writing

Creative Writing for the WWE

Last month, during NaPoWriMo and A to Z Challenge, my word for the letter k was kayfabe. Kayfabe is a word used in professional wrestling for presenting staged performances as genuine or authentic. Imagine my surprise when I found this great video introducing people to the lives of the creative writers working for the WWE. The article that I read about it said it may be a recruiting video.

There you have it, the exciting, jet-setting, action-filled life of writing for wrestlers.

Happy Reading and Writing!

The Planner Experiment: February Week Three Planner Pages

Week three pages blue

As I write this, I’m listening to short stories from Asimov’s Science Fiction on their podcast. I also discovered and have been listening to The CryptoNaturalist. I hope to have stories on both of them some day. Earlier today I enjoyed listening to stories, some read by the authors, over at Three-Lobed Burning Eye. I submitted a story to them this morning.

I have very exciting news. Yesterday, I submitted to three different magazines. It was the first day I have reached that goal. This morning, I did it again. I’m on a roll, but today’s submissions made me aware of another problem with my plan: sometimes the magazine or journal that appears to be the best fit for my story doesn’t accept simultaneous submissions. That means I may need to wait months before I can submit it again.

But wait! If I submitted the story to a magazine that is a good fit, I may not need to submit it again because they will publish it. So the only  real problem is how I will come up with three submissions for tomorrow. There-in lies the importance of learning about all of the literary journals that I would like to publish stories in and learning when their reading windows are, so I can prioritize the magazines for which I’m willing wait.

For those of you who are hoping to achieve a three submissions a day habit, here are some tips for preparing your submissions:

Make submitting easier:

  • Have a short bio written that you can cut and paste into your cover letter or submittable form when requested.
  • Re-read, edit, and format (most journals ask for Shunn format, but you may also want to have a copy with no personal info on it because many journals ask for that) your stories so they are ready to go when you find a good fit.
  • Try to find interviews with the editor to learn what they’re looking for and read stories from the journal. Find something you like or a story that is somewhat like your story, so you can mention it in your cover letter.
  • Read and re-read the submission guidelines and follow them carefully.

The Planner Pages

I have yet to receive your feedback and fervently await some data other than my own for this experiment, but we are only two weeks into it and I’m already seeing personal results.

Positive results

  • I have already submitted more than I did all of last year
  • I have a new outlook on rejections as accomplishments to work toward and they already don’t sting as much as they did before.
  • I am becoming familiar with literary magazines so that I can choose the best fit for my stories and write personalized, informed cover letters.
  • I have read a ton of short stories and poetry
  • I have collected, reviewed and organized my poetry and very short stories.
  • I’ve written a lot of writing prompts and come up with a lot of story ideas.
  • I’m finding ways to improve my design in open office though this part of the project is time consuming and can be frustrating.

Not so positive results

  • I haven’t found a daily routine yet.
  • I’m obsessively researching the journals.
  • There isn’t enough time in the day to read all the stories and poems.
  • I’m not writing new drafts for my ideas, at least not as quickly as I would like.

These problems, I believe, will taper off soon. I did write a very short story rough draft this morning. I’ve gathered most of the journals that I plan to include in the planner. By the end of the month, I should have them organized into their planner months and be able to prioritize getting familiar with each one.

The Changes

I was getting frustrated with the tools I had in open office, so I looked up loading new fonts. You can download free public domain, commercial use fonts at 1001 fonts. Having a selection of fonts I like made a lot of difference, but then I wanted borders and frames for my sections instead of just lines. This led me to the clip-art gallery. I downloaded frames and borders from public domain vectors.

This endeavor was not as successful as downloading and applying the fonts. Loading the clip-art into the gallery wasn’t particularly hard, I was just impatient and kept accidentally shutting down the program. Once I got the frames and borders into the clip-art, they didn’t look great when I resized them, so we’ll see if I end up using them.

While putting this week’s pages into one file, I discovered that the background colors that I had put with each day did not come along when inserted into the file. All of the days would have to have the same background color, so I decided to leave that for now. I think I’ll play around with using my photography for backgrounds. I would have to choose one that works for an entire season, if I choose to use a background.

I also changed the layout of the magazine section a bit. I didn’t like how the space next to the image of the magazine looked, so I moved the web address below the image and added info about the reading dates, pay/fee and whether or not they accept simultaneous submissions.

Planner Pages Week Three

2019 Planner February Week Three

I hope you’ll click the link above and download the planner pages, so you can plan your week’s submissions along with me. I look forward to receiving your feedback and hearing about your journey to publication.

Happy Reading, Writing, Planning and Submitting!

 

 

The Planner Experiment: Micro-fiction

Snowmaggedon

This planner project is already working for me. This week I received my second rejection. The sting only lasted a moment this time. The rejection letter even suggested that I submit something to their next reading period, so I’ll keep that in mind for my deadlines. I edited and submitted two other stories to different magazines the same day. Now that I’m becoming familiar with so many paying and interesting markets, I feel confident that I will eventually find the best fit for my work. The only way to do that is to keep submitting and collecting rejections. This new mind-set is helping my confidence and productivity.

Micro-fiction, Nano-fiction, and Very Short Stories

This week I discovered another group of magazines to add to my spreadsheet, the wonderful world of micro-fiction. I enjoy writing flash fiction. Flash is usually a story that is less than 1,000 words. There is a market for a sub-section of flash which consists of very very short stories. These magazines look for stories as short as a 140 character tweet, or specific word counts of 50, 66 or 100 words. The range is up to 500 words.

Most of these ezines aren’t paying markets, but are a great writing challenge. Telling a story with a beginning, middle and end with so few words trains you to edit for economy of word choice. I have had stories published in Speculative 66 and The Drabble.

There are some paying markets looking for micro (or nano) fiction. I found two lists: The short list from D. L. Shirey and a useful table from Erica Verillo.

Like I did with my poetry last week, I went through and collected all of my very short stories in one file. Unlike my poetry, I wasn’t enthralled with the very short stories I wrote here on Experience Writing, but that was exciting to me. I was able to find some magazines that would take poetry from my blog, but micro-fiction is another story. They are only interested in unpublished work. Thus, I plan to take only the very best ideas from my very short stories and completely re-write/ re-imagine them before submitting. I also have a list of story ideas that I think will work well as micro-fiction and plan to tackle some drafts in my morning pages.

Reading Everything

Another way the planner experiment is working, is by guiding my reading. I try to focus on reading some stories from the Literary Journal of the day and maybe one other. That way I’m not sampling from all over the place, but learning as much as I can about one journal at a time. Getting a feel for a journal isn’t easy and when I’m trying to learn about hundreds of journals at once, it can get overwhelming. Exploring one or two journals a day is a great way to get to know them and figure out if I have a story that is a good fit.

As you may have heard, the Seattle area had unusual snowfall last weekend. It was beautiful. Being snowed in is the perfect time to read, all snug under a pile of blankets. My sweetie and I have been reading to each other since the beginning of the year and we ramped that up during the snow. We lit a fire in the fireplace, drank tea and cocoa and read a bit of everything. That is one of the fun things about reading a lot of short story collections at once, you can read a story by one writer and then move to a completely different genre or style by another. We skipped around between The Lottery and Other Stories (FSG Classics) by Shirley Jackson, The Neon Wilderness by Nelson Algren, The Shell Collector: Stories by Anthony Doerr, and The Doll-Master and Other Tales of Terror by Joyce Carol Oates interspersed with selections from The Pushcart Prize XLIII: Best of the Small Presses 2019 Edition (The Pushcart Prize). We ended up reading all of The Doll-Master and Other Tales of Terror and liking about half of it. She does tend to ramble and doesn’t seem to care about a satisfying ending, or that was our conclusion.

We also read Small Town: A Novel (Block, Lawrence). I’ve had this book for years and kept picking it up and putting it down, so I was glad we read it together and finally finished it, but I had no idea it would be so pornographic. I was much more interested in the murder mystery and found the “sexual artistry” annoying. However, it had a brilliant ending; little clues that made me re-read the beginning (since it had been a long time since I started it) to confirm.

As for the other reading goals I put in my planner, I finished The Carrying: Poems by Ada Limón. I enjoy her poems and liked the collection, but not as much as Bright Dead Things: Poems. I’m also reading a bunch of craft books. I’m especially enjoying The Anatomy of Story: 22 Steps to Becoming a Master Storyteller by John Truby.

The Planner Pages

I’ve been frustrated with the tools available to me in open office, so I did some work this week improving my font selection and line and border possibilities along with experimenting with backgrounds and colors. I also realized that I needed to put some planning for my novel edits in the planner as well, so I’m playing around with that.

I noticed I had a repeat prompt on the thirteenth. I apologize. I wrote and saved over 100 writing prompts the other day, so even without the prompt inspiration I get from the literary journals themselves, we won’t be running out of writing prompts any time soon.

Look for the new pages some time tomorrow evening, so you can plan out your week along with me on Sunday.

Feedback

I would love to hear from you. Are you using the planner pages? Do you use them on the computer, or print them out? Are you submitting your work? How could the pages be more useful and motivational?

Happy Reading, Writing, Planning and Submitting!

Here Comes February – The first week of planner pages

Today’s the day! I organized all of the pages of my planner that I’ve created so far into one file and am actually posting it for you when I said I would. Yay! I find it fitting and poetic that I also received my first rejection of the year this morning! How great is that? Only ninety-nine more to go.

The rejection was disappointing, of course, but today it only stung for a second. I wanted to read the pieces that the guest editor accepted, so I would have a better idea what to send in the future. I think this project is working already.

So here they are, the daily planning pages for the first week of February. I set it up to look right in the book view in open office. I think I’ll try to print it as a little book for myself, since I like to reward myself with little stickers sometimes, but I set it up so you can fill it in on the computer. I’ll probably do both.

plannercover

2019plannerfebruaryweekone

I’m still trying to figure out if three submissions a day is a reasonable goal. I’ll probably start out with one a day and try to increase over time. The most important thing for me is to not get overwhelmed because then I won’t do it at all. I also need to make sure submissions and reading all these journals doesn’t take time away from writing and editing. I hope you’ll experiment with the pages and let me know what works for you.

Trying to consume more short stories and poems

I’m trying out using audio books and radio shows/podcasts to listen to short stories and poetry while I’m working on these pages. Using Overdrive I was able to check out some Joyce Carol Oates, since she appears to have a story in every literary journal. I’ve been listening to The Corn Maiden and Other Nightmares: Novellas and Stories of Unspeakable Dread I also checked out some Ann Beattie. I have her book Park City: New and Selected Stories, but can’t seem to get through it, so I thought I’d try listening to her stories instead. I checked out The State We’re In: Maine Stories and The Accomplished Guest: Stories.

This morning, thanks to The Boynton Blog who brought this to my attention, I’m enjoying poetry read by poets in Spokane, Wa. on Spokane Public Radio.

Feedback

I hope you’ll download the planner pages and give feedback in the comments, so I can make changes for the second week’s pages. Each daily page includes a unique writing prompt (I’m making them up as I go), and an introduction to a literary magazine. I would like to know what type of information would be useful to you in the magazine descriptions. I included the editor’s name and the website address, but I think my descriptions could use some work.

I hope you’re enjoying the experiment and start getting some rejections soon. 😉

Happy Reading, Writing, Planning and Submitting!

Realistic Goal Setting vs. Creative Chaos

Rising in the West

The Chaos

Moments after I published my last post with realistic reading goals that I would put in my planner for January, I went to the library and checked out twenty-five books that were not on that list. I’m glad I did. There’s nothing wrong with my reading gluttony. I should not have imagined I could reign it in.

My approach to submissions is similar. Today, I saw a tweet about the guest editor at Smoke Long wanting story submissions, and from her interview, it sounded like she might like one of my stories, so I spent most of the day completely re-writing it and submitted it. Not in the plan, but I submitted and I think the story is much better today than it was yesterday, so mission accomplished.

As you can see, my ideas for my writer’s planner that I laid out in my last post were an interesting hypothesis for my experiment, but do not hold up to the creative chaos of how I actually work.

Realistic Goals

Deadlines

One aspect of the planner, however, the main one of knowing dates for deadlines in advance, has worked and I did submit to the first two deadlines on my list, on the very last day, but still. Stories submitted. I think the idea of having some specific deadline goals each month will definitely work for me and if I already had these dates in a planner and didn’t spend so much time finding them out in the first place would save me a lot of time for writing new work.  So this will be my main goal for the planner: finding deadlines for magazines and contests that will be predictable for next year.

Knowing all the options

The other aspect of the planner that I think will work is a daily overview of a literary magazine. Though literary magazines appear and disappear, often without warning, I’m still in shock that Tin House closed its doors, I think I can come up with 365 options for writers to think about with links to their websites, so the writer can learn more and submit if it looks like a good fit.

While at the library (checking out all the books) I found The Pushcart Prize XLI: Best of the Small Presses 2017 Edition (2017 Edition) (The Pushcart Prize). This was a great find for this part of the project. In the back of the book it lists all of the small presses, with their addresses, that submitted pieces for consideration. For fun, I went through the list and picked out every listing for Washington State. I was surprised how many there are and how different each small press and magazine is from another. I have already submitted to one of the magazines from that list. The great thing about the Pushcart Prize collection is I can read the stories and see which magazines think which stories represent them the best and which magazines publish the most award-winning stories and poems.

The Design

For the experiment, I wanted to create the planner pages in open office so all of you can play around with it with me. I like the idea of being able to fill in the planner on my computer and/or print it out and have a physical copy.

My initial attempt to create the daily layout was frustrating, so I headed to Youtube and found a couple of videos that clicked with me and got me started.

Jenuine Life

Mariana’s study corner 

The trick was to use shapes and text boxes. Though it was very time consuming, I came up with an initial draft of my idea.

feb one left                                           feb one right

So now the experiment can move into data collection. I hope you will join me. What do you think of this initial idea? How’s the layout? Does it include everything for a motivational daily planner? What types of physical properties would you change: shapes, colors, backgrounds, fonts, etc.?

My next step is to create all of the pages for February and start using them, re-evaluating and incorporating feedback each week.

Happy Reading, Writing, Planning and Submitting Your Work!

See into the future: No more missed opportunities

Heron in flight

With renewed passion and fresh eyes, my story will take wing.

Happy New Year! I know I’m a week late to the party, but I’m finally feeling like getting started, so better late, right?

A new year, a new project

I have an exciting new project for this year inspired by a tweet from Julie Reeser (@abetterjulie) asking about end of year processing and planning. She got me thinking about planning. I’ve been in survival mode for a very long time and though I’m glad that keeps me in the moment, it has kept me from making plans.

Julie’s tweet got me thinking about the many times I have happened upon a submission that excited me only to find out the deadline had just passed or was hours from closing. I don’t want to live on the edge of submission deadlines anymore. I want to plan ahead and have the time to submit my best work to reach my publication goals. To this end, I am starting a quarterly daily planner with writers who are submitting short stories and poetry while writing novels specifically in mind. As in me and hopefully you.

My original goal was to have the first quarter (January – March) planner available to download already, but that doesn’t make a lot of sense because this is really an experiment in what actually works to motivate me to get stories submitted, rejected, revised, (submitted, rejected, submitted) x infinity, rejected and finally accepted. It’s the multiplication part I appear to have a problem with and hope to overcome.

One of the ideas that has inspired me to submit more–work harder toward rejection–is the lovely goal of reaching 100 rejections in a year. On the surface, that sounds pretty crazy: I would have to write 100 stories in a year? No. Having that many drafts by the end of the year would be awesome! But I don’t think I would have time to do anything else, and I have other stuff to do. I wouldn’t send the same story off to be rejected from 100 different editors either. However, in a combination of daily submission goals for stories I have written and stories I will write along with poetry submissions, contest entries and a grant submission or two, I might be able to reach that goal of 100 rejections along with a pile of acceptance letters. That’s the joy of the idea. If you look for 100 rejection letters, you may have to work harder because of the people who start saying yes. It’s a great form of reverse psychology as long as your actual goal is to publish and not to accumulate rejection letters.

I also have a novel manuscript that I am fine-tuning to submit. I want to create a planner that inspires all types of writing submissions, rejections, editing, and re-submitting.

If my planner design helps motivate me, I hope to have created a tried and true planner for 2020 to inspire all writers by the end of the year.

So far, I’m approaching the project (and the design) like organizers say to approach any project: Large goals, broken into smaller goals, broken into small, achievable goals.

Planners don’t work for me if I waste time filling in my planner, so I want the important stuff to take very little time. The point to creating this is to inform. I want to know at the beginning of the quarter of the year what stories I’m submitting and who to send them to, by name. I don’t want to waste days researching them when it should be at my fingertips. It’s aggravating to me when I have to spend an entire day, or a week, trying to figure out who to address my cover letter to. It shouldn’t ever be that hard, especially when you’ve cared to do the research. My idea, is to include a magazine for each day of the planner, as an idea for one of each day’s submission.

An area that I’m still contemplating is contests. I have heard that contests can be important, but looking through the wonderful poets and writers calendar, it turns out most of them cost money. I think I can add one or two contests to my budget each month, especially if the judges provide feedback.

January Submission Goals

These are the submissions I will put on my January 2019 goals:

1/15 Outlook Springs end submission period

1/15  The Dallas Review  end submission period

1/24  Sixfold  contest $5

1/31 Nelson Algren Short Story award

1/31 Dark Regions contest “Possession”

This short list is a great reminder why it’s important to plan ahead. I have stories I can send to Outlook Springs, The Dallas Review and Sixfold, but I need to read past issues and find the story that fits best. For the Nelson Algren award, I want to get familiar with Algren’s work. Because I planned ahead, I was able to put his book, The Neon Wilderness, on hold at my local library and am already becoming familiar with his work. For the Dark Regions contest, I’m writing an original story. Finding the right story to match a call for submissions, and writing a news story all take time, so planning three months in advance is my goal, but one month will have to do for now.

Submission sources

I have also started a list of magazines to write overviews for and add to the daily submissions goals. I’m finding submissions information from:

Poets & Writers

Submittable

New Pages

and interesting things I see on Twitter

Books, Books, Books

Every writer has to read, a lot. Over the last few years I have been reading like a starving monster, consuming anything that gets in my path. Though there’s nothing wrong with that, I noticed that my reading goals list on Goodreads was pretty much ignored last year and I transferred most of it to this year. To remedy this, I’ve decided to add a reading section to my planner that includes at least two fiction novels, fiction short story collections, poetry collections and non-fiction books per month.

Here are January’s reading goals:

Fiction novels: Hawksmoor by Peter Ackroyd, The Outsider: A Novel by Stephen King

Fiction short story: The Neon Wilderness by Nelson Algren, America’s Emerging Writers (I finally got my paperback and I’m enjoying reading everyone else’s stories. Yay!)

Poetry: The Carrying: Poems by Ada Limon, Selected Poems (William Carlos Williams)

Non-Fiction: The Philippines: A Singular And A Plural Place, Fourth Edition (Nations of the Modern World) by David Joel Steinberg, The Anatomy of Story: 22 Steps to Becoming a Master Storyteller by John Truby

 

If you have suggestions for what I should include in planner, I would love to hear from you. I hope you will join me in my experiment to plan ahead.

 

Happy Reading and Writing

A is for Atresia

Ordeal questions

 

atresia – noun: 1. absence or closure of a natural passage of the body 2. absence or disappearance of an anatomical part by degeneration.

 

To Fall Asleep

Every night I play this game
A habit now, a secret shame

Multi-tasking cartoon shows
Or re-runs burned out long ago

While refreshing games of solitaire
Win or lose I never care

I tell myself to fall asleep
Knowing I avoid REM deep where

I’m taken to the terrifying nightmare
The moment of ecstasy and desperate despair

When you still loved me
Would delight in my jealousy

Before the tearing
Before the discarding

As I grow weary
My red eyes go bleary

I wish for atresia
Through lack of sleep to amnesia

Every nocturnal, natural passage binding
Me to you degenerating, closing

Letting me sleep in peace.

 

 

I found a spark of inspiration this morning while reading “Love Is Like Sounds” from The Selected Poems of Donald Hall (Poet Laureate of the United States, 2006 – 2007).

Craft Book Review: Story Fix

Story Fix coverStory Fix: Transform Your Novel from Broken to Brilliant by Larry Brooks is intended to help authors “reinvigorate” rejected novels, but I found it lacking in tangible instruction and full of discouragement.

Why I picked it up: I was looking through Writing Voice: The Complete Guide to Creating a Presence on the Page and Engaging Readers (Creative Writing Essentials) from the editors at Writer’s Digest and started looking up the different authors who had written chapters. Because I am focused on editing and revision, Larry Brooks’s book looked like a good choice.

My Expectations: I was expecting a book on revision and editing with specific guidelines to follow as I revise my draft. With the bold title STORY FIX, I expected a plethora of tools and boxes to check.

Intended Audience: This book is for writers whose manuscripts have been rejected so many times that they are facing a major re-write or abandoning their novel to the drawer of despair, or the locked trunk in the basement. The author also assumes the reader has attended conferences.

What I liked: The examples of Mr. Brooks coaching authors at the end of the book are  worth reading. Before I got to the three case studies, I was having trouble finding anything I liked, but they were interesting. I recommend reading the case studies first and then, if you’re curious about Mr. Brooks’s terminology, going back and reading those sections of the book. I found the questions Mr. Brooks asked the authors during these story coaching sessions to be eye opening while evaluating my own manuscript.

What I didn’t like: Until the coaching examples (and somewhat during), the book comes across as very negative. Mr. Brooks appears to think he’s being honest and frank, 200 pages of tough love, one might say, but it comes across as cynical and impugning. Until I read the case studies, I felt like I had read 150 pages of how to write an elevator pitch and fifty pages telling me I might as well give up trying.

 

Rating:  ♦ ♦   2 out of 5 – only because of the coaching examples at the end.

 

Books on revision and editing I would recommend instead:

The Magic Words: Writing Great Books for Children and Young Adults by Cheryl B. Klein. I reviewed this book as my first Craft Book Review. It is not only for authors of children’s and YA novels.

The Story Grid: What Good Editors Know by Shawn Coyne

Revision And Self-Editing (Write Great Fiction) by James Scott Bell

 

Happy Reading and Writing!

 

 

Gobolinks and Blottentots

You may recognize these inkblots from my last post. The image on the left looked to me like two teddy bears playing with a ball from the moment I made it. The image on the right, however, originally looked like an angelic figure or winged creature (turned 180°), but when I looked at it again, I saw a canyon carved by water flow. Because the original inkblots were made with glitter-glue, the blue watercolor flowed like water and did not soak into the paper, so it even acted like mountain lakes flowing into a river in a canyon. It was very fun to make.

More Fun With Klecksography

Gobolinks and Blottentots

At the turn of the 19th to 20th century,  people expanded on Justin Kerner’s ideas of Klecksography, the art of using inkblots in illustration and created works of their own. Ruth McEnery Stuart turned the creations of inkblots and verse into a game called Gobolinks and John Prosper called the inkblot creatures he created and described in verse, Blottentots. Both of these books of inkblots and verse are now available online through Project Gutenberg.

Project Gutenberg ebooks:

gobolinks coverGobolinks or Shadow Pictures For Young and Old by Ruth The Blottentots coverMcEnery Stuart and Albert Bigelow Paine 1896

Blottentots and How To Make Them by John Prosper Carmel 1907

Inkblots As Story Inspiration

I had a lot of fun creating a bunch of inkblots the other day. One of the great things about inkblots is they are a super-cheap, if not free (you can make them with things you already have in your house) art form and you can make them very quickly.

I did a little experimenting and found porous paper, like regular typing or printing paper works better than thicker paper. So any scrap paper you have lying about is the perfect canvas, and any drippable liquid will do. I used a cheap, hard-disc watercolor set with a lot of water. If you don’t have watercolors, you could use acrylics, or left over house paint. If you don’t have any paint, use mustard and ketchup. Use coffee or tea. Try mud. Why not? Make sure to protect your work area. I rolled out a bunch of butcher paper.

As I made more and more inkblots, my scrap paper got smaller and smaller. I found joy in the black and white blots that were about 2″ X 2″.  Many of them looked as if they could combine to become more detailed creatures, so I got out a metal board and some magnets and had some fun.

metal board and magnets play area

Looking at all these unique beauties made me ponder the stories they could tell. For those of you who have read Jumpstart Your Novel by Mark Teppo, what about using inkblots to inspire or illustrate your nine boxes?

Nine Box Plot

Or how about using your inkblots to access your subconscious ideas about your hero’s journey? Perhaps in a similar way to, or along with Mapping the Hero’s Journey With Tarot.  The hero's journey in inkblots

You could also use inkblots to inspire setting and character:

spring garden

A spring garden

mantiss gnome


A garden gnome spinning on a spike

Character development: Use your inkblots with your characters like Rorschach tests to explore their psyches.

Group dynamic/ character interaction: Have your characters play a game of Gobolinks.

Since I am having so much fun with inkblots, I hope to find ways that they will help me enjoy my editing and revision process as well. I’ll let you know as soon as I do.

Further Reading

Inkblot: Drip, Splat, and Squish Your Way to Creativity by Margaret Peot

The Inkblots: Hermann Rorschach, His Iconic Test, and the Power of Seeing by Damion Searls

The Inkblot Pack: Includes the 10 Classic Inkblots for you to interpret & a beautifully designed journal with thought provoking quotes

And Just For Fun

Rorschach mask

As a photographer and a costumer, I imagine many possibilities for The Original Moving Rorschach Inkblot Mask, so I bought one. I should have it in about 10 days and will definitely write a review.

 

Happy Reading and Writing!