Plotting with Tarot: Interpretation for a friend-The Perfect Romance Plot

This is fun! My friend Diana Rose Wilson was having a bout of writer’s block, so I mentioned trying plotting with Tarot to get some ideas. She tried it, said it took her down a rabbit’s hole and gave up, but said I could go ahead and interpret her spread. I decided to give it a try, thinking it might be fun to see if someone else’s spread might inspire a scene for me as well since the cards are interpretive symbols with immeasurable possible interpretations.

awesome notebooks

I decided to make this the first entry in my I Regret Nothing Journal from The Mincing Mockingbird & The Fantic Meerkat (I love these journals) and wrote down each of Diana’s cards and positions. Many of the cards she pulled were reversed which I found interesting. While doing this, I noticed she was missing a card for a Celtic Cross which looked like her intended form, so I pulled out my hand-made Tarot cards and found the cards she had pulled, put them in order she would have pulled her spread and then started shuffling and cutting for her final card.

I shuffled and cut my deck three times while thinking, What would be the last card in Diana’s spread and What would the outcome be for Diana’s story? Believe it or not, the top card after the final shuffle and cut was The Lovers. Perfect.

 

romance plot spread.jpg

I grabbed my copy of Jumpstart Your Novel by Mark Teppo, turned to page 75 (Note: after I published this post, I found out that Mark Teppo’s book is in second edition with significant additions, so that page number may not be the same in your book) and started my plot interpretation. During my first exploration of the Tarot last fall, I found that I liked using Teach Me Tarot for online interpretations, so I went to the site and started with Diana’s first card, The Ten of Pentacles in the search bar. The great thing about Teach Me Tarot is it thoroughly explores the upright and reversed positions for every card. Because I am using this for fiction plotting, I can pick and choose which aspects of the card, in the given position, are exciting to me for a plot-line.

Now that you know the tools I used for my interpretation, I’m going to give you my interpretation of the entire spread as a story plot. If you would like further instruction of how I came up with this interpretation, I highly recommend getting a copy of Jumpstart Your Novel by Mark Teppo, Mapping the Hero’s Journey With Tarot: 33 Days To Finish Your Book by Arwen Lynch, and reading my blog posts from November 2017.

Now. With no further build up . . . Drum roll please . . .

♥ Diana’s Most Amazing And Useful Romance Novel Plot! ♥

Your protagonist is wealthy on many levels: from a wealthy family and a well-known family name, may have old money or be “self-made” through hard work. S/he is from a close-knit, tight family unit and follows family traditions and customs. This protagonist starts out having it all, but something from the past threatens his/her happiness. Something from the past: a person, a document, a memory threatens to destroy this perfect life.

The story begins with the protagonist facing doubts and fears that something isn’t right. S/he wishes to let go and enjoy/reap the good life, but worries it is too good to be true. Whatever threat from the past has come to light (family, business, family secrets, blackmail, old business partner, old school friend, old lover, inheritance, current relationship falling apart, etc.), the protagonist has dug in his/her heels and stubbornly refuses to negotiate or compromise. There is a good chance that s/he is wrong, but pride/ego/family name is in the way. The protagonist becomes awkward and difficult, determined to keep the battle/conflict going. S/he will lose any honesty s/he had, willing to call black white to disagree on almost every item.

The protagonist wishes s/he could walk away, but because of original home/wealth/happiness, can’t. S/he wishes for space and time to think, to come up with a new approach, but is constantly pressured. S/he wants to find a way to be free from blame for every horror s/he is discovering created the wealth s/he enjoyed. And/or wants to know who is causing the unrest (blackmail/threats). And/or wants to come clean about past (family, business, secrets).

The protagonist makes an attempt create distance from the situation; makes a move from turbulent seas to calmer waters where s/he finds belief in self and sense of purpose. This is where the protagonist recognizes/discovers love for another.

No matter what this protagonist does, s/he is still a representative of the family s/he was born into, thus people see a person who: earned a place on the winners podium; earned success because s/he learned vital lessons of life; has balance in life and success that will be long term. This perception feels hypocritical and difficult through his/her changing reality.

The protagonist must overcome the past and transform into a lover. The love interest, met earlier, helps in discovery and realization with a sharp wit and intelligence. S/he sees through the wealth and prestige to her/his heart. This lover helps the protagonist to rise above the conflict and trouble. As lovers, they find the truth.

The protagonist finally finds real love–has changed from being selfish and entitled to someone who listens to needs, desires feelings, likes and dislikes and knows how to communicate his/her own. Through this change the protagonist finds balance and harmony in relationship and life.

The End

And there you have it–a delicious romance plot outline that you can use over and over again–from only one Celtic Cross Tarot Spread. Why do I think this is so fun? Because using this plot I already came up with these elevator pitches:

A young heiress, happily living in the lap of luxury, finds out she has been promised to her father’s business partner. Unless she can find proof that an accidental death that occurred before she was born wasn’t her father’s fault, she will have to marry a man she loathes, or her family will lose everything. With the help of a childhood friend, she delves into her family history finding more than her heart can hold.

A Pop-Star in the middle of a world-wide tour finds out that her manager has stolen all of her money and disappeared. Not able, or willing to return to her hyper-religious family who has “dis-owned” her,  she ends up in a dive-bar in a small southern town where she sings on a bar-stool for tips. When a disgruntled lawyer gets lost and finds her way to her arms, she promises to help her get her life back.

A young developer thinks he has it all: wealth, property, a thriving business and the best name to use as a brand all over the world. When his father dies, he expects everything to smoothly continue into his wonderful future, but the will is cryptic and suddenly he has to face the questions of how his immigrant grandfather made his money. The business runs itself, or at least stays still while he tries to follow his father’s odd clues that lead him to a mysterious woman and a new understanding of himself.

Like I said, this is fun. I came up with those in the last 15 minutes. They’re not great or anything, but they have what you need to start an intriguing romance novel (imho).

Diana mentioned she might read this interpretation and write a companion piece, so keep your eyes on her website.

Happy Reading and Writing!

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Be Outrageous! Guest Post from Author Diana Rose Wilson

picture of cover of Blood Feathers by Diana Rose Wilson

Today’s guest post is from author Diana Rose Wilson. The book release party for Blood Feathers (Forbidden Secrets), her new book in the Forbidden Secrets series is September 28th from 6pm-7pm PST. Join the festivities on facebook or at spiritbeast.org.

 

I began writing believing that authors flexed their fingers and the stories flowed fully formed from their brains into their novels. From: ‘Lolita, light of my life, fire of my loins.’ To: ‘I am thinking of aurochs and angels, the secret of durable pigments, prophetic sonnets, the refuge of art. And this is the only immortality you and I may share, my Lolita.’ –Vladimir Nabokov, Lolita (1955)Nabokov: Novels 1955-1962: Lolita / Pnin / Pale Fire (Library of America).

In 3rd grade, after reading Watership Down / Richard Adams, I decided I wanted to be a writer. I mucked through my masterpiece and my story came out in one start-to-finish jumble of awesome. No one explained with compassion that it should have sucked as a first draft and a first try. I tossed out hundreds of pages and started a completely new story. Results did not vary.

Years later I started again but my process was much different. Here is the important part to remember: a story doesn’t need to be delivered fully formed from A to Z.

When you begin, you don’t need to know every breath and every move your character will make.

The key is to keep things moving, and here are some ideas that I hope will work for you.

Start

Start where you want. Anywhere you want. Start with the description of his eyes and then go from there. Throw yourself into the middle or the end but just go. The important thing is starting.

This goes for every day you write. If you sit and stare at the screen and don’t know what to do, pick up a conversation between some random characters. Characters in your story or those from the last book you read or movie you watched or even a conversation you overheard. Once you get going, your muse will guide you around to what is important.

Eventually you will have some bones and you can weave your scenes around and those can be strung together.

Respect the Muse

Elizabeth Gilbert’s TED Talk ‘Your Elusive Creative Genius’ changed my thought process about writing and creating.

Part of my return to writing started when I watched that video and put a persona behind my muse. Besides, it’s fun having a character for my creative process. He needs a whole blog post of his own, so here I only encourage you to think about the concept. Embrace that muse.

Be Ugly

Watch Bob Ross. His canvas begins as globs of color and only slowly transforms into beauty. Go ahead and be ugly!

I live in wine country, and during crush season it stinks. Literally. Someday it will be lovely wine but it begins as fruits, stems, seeds and skin all fermenting in tanks. It is allowed to smell nasty and you should allow your first draft to be too.

Accept it is okay to be really gnarly old vines. Just throw it in there.

Don’t know what color Mister Perfect will wear? Just type blue, highlight that sucker and move on. Mister Perfect might not be who you think he is when you get to the end. He might need a leather jacket instead of a suit. Don’t stress the small stuff.

This goes for spelling and grammar. Just throw it all in there. Stems, seeds, skins and all.

Be Extraordinary

Have you ever sat down to write the scene you’ve been brooding over for weeks and suddenly the mind yanks the wheel away from the muse? You know the thoughts: ‘could/would that really happen?

Since we’re talking about first draft, it doesn’t matter during this part of the process.

For example; the hero is trapped behind a booth in the donut shop with the entire police force there ready for a shootout. Hero must get away to move the plot forward.

How? Mind: should/could/would/can he really do <whatever your mind comes up with>?

It is a great question to ask and for the finished product you will need to make sure your story is believable, but not today. Besides, when your Hero is a vampire/superhero/alien/ex-marine-fireman/super-sexy-smart-and-also-rich-babe, we left reality a few miles back.

Write your character out of that scene.

Have Hero leap over the seat and throat-chop the douchebag ex-partner. Then throw the DEA agent into the DA who just walked in. Toss in an eye poke or two before Hero takes a bullet. Sliding out the door on both knees, Hero flips double birds as she vanishes into a blast of sunlight.

Phew!

Through!

We’re through! *victory lap*.

Crazy? Meh. Sure. But hero sipping coffee for ten pages while you’re pulling out your hair unable to push forward is worse.

Right?

Now you can write the next scene, or write another way for Hero to get out. (Maybe she gets caught. Maybe her lady comes and save her butt. Maybe her new partner flies the helicopter in and zooms her out of there.)

Play around with it and have fun while you get the ideas out of your brain and onto the page.

Be Extreme

You probably don’t read books because the hero is a normal person who goes to an average job and does average things.

It’s okay to write things that are over the top. Chip it out later if it doesn’t fit. If you’re stuck, don’t let reality hold you back. Let the hero be so smart she could shame Sherlock Holmes and beautiful and rich and she only works her dead end job because she enjoys talking to people at the call center.

None of this is set in stone. Even the best crafted, based in reality character isn’t necessarily going to survive the creation process unchanged. Your good guys may become bad guys, and your bad girl might become your hero. Allow some over the top characters and then when you edit, pull out those wild stems.

Same goes for scenes. Write situations as dangerous and unbelievable as you can imagine. If it doesn’t fit into the story, just tuck it aside or turn down the volume.

Be Flexible

You might have your plot scripted from start to finish, but allow yourself to write a scene differently to test the waters. Try that side door and discover it leads to a back alley where a character can overhear an important secret. Maybe it will be useful, otherwise tuck it away.

If a scene fizzles, explore it at a different angle. Maybe you don’t have to kill that two-faced friend. Or maybe that cow has to go! You can find out a lot about a character when you put them in unexpected situations. Even if the scene is clipped, you have more information about how to detail your character.

Be Uncomfortable

Put Hero into a situation that really sucks. She has to go into the boss’s office and explain why she was using company time/money for her personal research project. Have hero get hit by that car and be physically/emotionally changed. Force the hero to face a fear to save someone important to your plot, but maybe not important to them.

Put yourself in the hot seat too. Try writing something outside your comfort zone. Drop your characters into a genre you’ve never tested. Maybe the serious story that has you stuck would loosen up in a different setting. You never have to show any of this, it’s just practice.

Don’t Fuss

You finished that story/novel/novella! Now, leave it alone. Set a time limit of a week or a few months and do not look! No poking or overthinking about it. Continue to write but move onto something different. Create some blog posts or try another genre.

Do not uncork that baby until it has some cellar time.

Then, if you sample it and it tastes like vinegar, review what went wrong. The part about writing that you don’t get in wine making is that if you don’t like it you don’t need to start over from scratch. Don’t be afraid to make adjustments. Or, snip the pieces you like and put them into a new story.

Regardless of what happens with that story you will learn what no amount of coaching can teach you; the technique that works for YOU.

Try/GET Scivener

(https://www.literatureandlatte.com/scrivener.php)

I don’t have any affiliations to this company/product and this is only my own opinion but this software is a great tool. It is easy to use. It allows you to break your story into acts and scenes and scenes within scenes. You can easily shuffle whole acts/scenes like they are index cards. There is also easily accessible pages to keep your characters/places and research.

It also allows you to strain out the scenes that didn’t work and keep them away from the real product.

 

I hope this was helpful. Just keep in mind, everything you write is practice so even if no one sees it but you, it’s not a waste of time.

 

bio pic of Diana Rose WilsonDiana Rose Wilson grew up under the shadow of the Mayacamas Mountains, raised by outlaws and bikers. She has been involved in the lifestyle since 1989 including working at a high end adult boutique specializing in fetish, BDSM and LGBT merchandise. Her debut book is Wicked Masquerade, first in the Forbidden Secrets series. She has also been published in Finesse, a publication for the Thomas Keller Restaurant group.

Currently Diana lives in wine country with her husband where she enjoys good wine, better food, loud Harleys, 3-day eventing and the delights of deviant erotica. She is a member of the Pacific Northwest Writers Association, Redwood Writers, Snoopy Writers and CFTW Writer’s Block.