It’s amazing how energizing one cool, cloudy day was. Today, was back to hot and sweaty, but it didn’t feel as oppressive. I finally set up my new mobile mirrorworld to my satisfaction, and played with an interesting purple and green light palette.
I find it amusing that these random globs of dried hot glue in different shapes look like people dancing to me.
Today was the first time I tried using the net-lights with the reflection balls in the fabric-covered pool noodles. I like how nature adds to the abstractions. I’m seeing lots of potential.
When light escapes and comes to play I know I’ll have a busy day Free of night and free of fears as glaring white she appears but in our game I calm her and coax each color forward when light escapes and comes to play I know I’ll have a busy day
Last week I stumbled upon Italo Calvino’s Six Memos for the Next Millennium which are a series of planned lectures about literary values he was working on when he died. He died before he finished writing the sixth. His six values of literature are: Lightness, Quickness, Exactitude, Visibility, Multiplicity, and Consistency.
In each of his lectures he discusses his ideas of the stated value and its opposite which inspired me to use these values as my contradictory abstractions for August and into September.
First, I considered the word value, and its many meanings. When I looked at value at the beginning of this study of abstract nouns in April, I was thinking about value in terms of exchange. Calvino appears to be using the seventh definition for value in my Webster’s Collegiate Dictionary which is “something (as a principal or quality) intrinsically valuable or desirable.
Artistically, what I was desiring was a changeable color palette for my floating photography studio. So I chose some garish spandex I had collected from bargain tables over the years, and sewed colorful skins for my pool noodles. The results were surprisingly subtle, yet interesting.
Calvino’s first value, “Lightness,” he sees as the opposite of “Weight” as in the weight of the world, or gravity of thought. When he discusses lightness as a quality of literature, he describes it as “the sudden agile leap of the poet-philosopher.”
Calvino says that lightness in writing is precision and determination, not vagueness and the haphazard. Then he quotes Paul Valery who said: “Il faut etre leger comme l’oiseau, et non comme la plume” (One should be light like a bird, and not like a feather).
This idea really appealed to me. Where I live, I am constantly surrounded by birds, from tiny hummingbirds and dark-eyed juncos to great blue herons, osprey and bald eagles. The mystery and grace, flight’s sheer defiance of gravity is exciting to watch.
I had already collected some small feathers the neighbor’s cats so kindly left on my porch. so I tried using them as filters.
This week I am looking at Calvino’s second value Quickness which he sees as the opposite of Lingering and Digression. Yesterday, to begin my study, I tried a technique I found in Abstract Explorations in Acrylic Painting by Jo Toye. Jo used hot glue to create stencils to create resist patterns in her paintings. Now that I am look at my filters as both positive and negative space, I saw the potential for this technique with my photography. Here’s my first attempt:
What’s fun is it’s similar to something I tried a long time ago with wire:
Guess it wasn’t that long ago, but it sure seems like a very long time ago. I think the changes in the thickness of line from the glue are much more dynamic.
The reason I chose to try the glue technique this week is because once the glue gun is hot and I’ve cut the basic filter shapes, I can create many different designs with quickness, then linger in all their image possibilities.
Restaurants bring up so many memories fraught with conflicting emotions. I think Lightness and Weight, and Quickness and Lingering can all find their way into a restaurant.
Gathered at Another Steak House
Restless in this restaurant, her eyes rest on the fake, flickering candles and cloth carnations, on the bleached tablecloth and folded cloth napkin swans swimming in place on gold waves rippling at the edges of shiny plates waiting for waiters to replace them with appetizers, strengthening hunger’s desire.
Tense utensils clang in past and future tense Tumblers topple, ice tumbling, sliding across tabletops, and topics are quickly tabled as secrets spilled splatter saucy and juicy stains that will never completely come out and after desserts are devoured no one lingers to feel sated.