It’s already April, and at Experience Writing that means it’s time for NaPoWriMo (National (Global) Poetry Writing Month) and the A-Z Challenge. This year, I’m looking at the A-Z of Depth. I’ll leave the definitions up for the rest of this week for you to peruse. When I think of endless depth, I think ofContinue reading “Exploring Endless Depth”
Tag Archives: collage
Reflections
Usually for the A to Z Challenge, since I also participate in NaPoWriMo, I choose a type or classification of words. I started with learning new words, then I branched out to musical terms, Janus words, abstract nouns, and contradictory abstract nouns. But this year, I tried something very different. I let my physical collectionContinue reading “Reflections”
And Zoom It’s Over
The July/Aug 2020 Poets&Writers Magazine was the first of the magazines I studied this month where the effects of COVID-19 became apparent, an interesting place to end this intensive jaunt through the recent history of Poets & Writers. In the Trends section in a piece called “Literary Festivals Go Virtual” I read, “The Jackson HoleContinue reading “And Zoom It’s Over”
You Are Poetry
While reading through the July/Aug 2020 Poets&Writers Magazine, I didn’t find a lot of Y words to choose from. The one that came up the most was “you” in the form of a question. Like in the Q&A with Natasha Trethewey, Joshunda Sanders asks, “Are you relieved to have physical distance from Georgia?” “Have youContinue reading “You Are Poetry”
XLIV Pushcart Prize Collection
On the page across from the editor’s note in the May/June 2020 Poets&Writers Magazine, there’s a full page ad for the 2020 Pushcart Prize XLIV Best of the Small Presses edited by Bill Henderson. The X in this number is ten subtracted from the L after it, as the I is one subtracted from theContinue reading “XLIV Pushcart Prize Collection”
Poetry as a Wedge
In the Q&A with Cathy Park Hong called “Double Doors Open” by Dana Isokawa in the May/June 2020 Poets&Writers Magazine, the word “wedge” is used three times in three different ways. Dana Isokawa writes, “I spot Hong’s three poetry titles on a top shelf, wedged between Homer’s Odyssey and Garrett Hongo’s Coral Road.” In answerContinue reading “Poetry as a Wedge”
The Violence of Poetry
In the Q&A with Natalie Diaz called “Energy” by Jacqueline Woodson in the March/April 2020 Poets&Writers Magazine, Natalie Diaz said, “I have lived many lives. I have tried and failed at many things. I have won and lost much. I don’t know much, but I believe language lasts. In all its violence and tenderness, itContinue reading “The Violence of Poetry”
Unpinnable Poetry
In the Q&A with Natalie Diaz called “Energy” by Jacqueline Woodson in the March/April 2020 Poets&Writers Magazine, Natalie Diaz surprised me with the word, “unpinnable.” She saidd, “I learned quickly that myth is what makes me dangerous—the ability to make a rock weep for its creator, a way to say the river runs through myContinue reading “Unpinnable Poetry”
A Poem as Time
Time also came up a lot in the special section of the Jan/Feb 2020 Poets&Writers Magazine. Keith S. Wilson who wrote Fieldnotes on Ordinary Love (assoc link) his writer’s block remedy is: “Time. They say time heals all wounds, which is a lie, but it is true that no wound healed without time. I hopeContinue reading “A Poem as Time”
Poetry as Survival
In the Special Section “Inspiration” in the Jan/Feb 2020 Poets&Writers Magazine, several of the poets used the word “survival” when talking about how their collection began. Heidi Andrea Restrepo Rhodes who wrote The Inheritance of Haunting (assoc link) said, “This book emerged as a result of poetry as a mode of survival and healing atContinue reading “Poetry as Survival”
Experience Writing 