Sounds of Words: Stress and Duration

Welcome back for the second day of Writober. How did it go yesterday? Feeling inspired? Don’t forget to put your links in the chat to share what you wrote and made. Today, all our prompts will continue to explore the universal fear of Ego death: the loss of subjective self-identity by looking at embarrassment. EmbarrassmentContinue reading “Sounds of Words: Stress and Duration”

Letters: Symbols of Sound

Welcome to the first day of Writober. Today, all our prompts will start to explore the universal fear of Ego death: the loss of subjective self-identity. The fear of Ego Death encompasses all the fears of damage to one’s ego, one’s pride, such as embarrassment, shame, fear of failure, fear of success, and the feelingContinue reading “Letters: Symbols of Sound”

Taking Risks

Exciting News! The Spring 2024 Vol. 26 Edition 2 of Stirring is now available, and I’m one of two featured artists. The online magazine includes two of my black and white photographs from my Murmurations series. Please check it out, and let me know what you think. Back to the Mirrorworld This morning I reconfiguredContinue reading “Taking Risks”

And Zoom It’s Over

The July/Aug 2020 Poets&Writers Magazine was the first of the magazines I studied this month where the effects of COVID-19 became apparent, an interesting place to end this intensive jaunt through the recent history of Poets & Writers. In the Trends section in a piece called “Literary Festivals Go Virtual” I read, “The Jackson HoleContinue reading “And Zoom It’s Over”

You Are Poetry

While reading through the July/Aug 2020 Poets&Writers Magazine, I didn’t find a lot of Y words to choose from. The one that came up the most was “you” in the form of a question. Like in the Q&A with Natasha Trethewey, Joshunda Sanders asks, “Are you relieved to have physical distance from Georgia?” “Have youContinue reading “You Are Poetry”

Wild and Mysterious Poetry

This week I talked about being unpinnable, the violence of language, and survival, so I was drawn to my Sasquatch poetry kit (assoc link). The Prompts NaPoWriMo: Write a sijo. “This is a traditional Korean verse form. A sijo has three lines of 14-16 syllables. The first line introduces the poem’s theme, the second discussesContinue reading “Wild and Mysterious Poetry”

XLIV Pushcart Prize Collection

On the page across from the editor’s note in the May/June 2020 Poets&Writers Magazine, there’s a full page ad for the 2020 Pushcart Prize XLIV Best of the Small Presses edited by Bill Henderson. The X in this number is ten subtracted from the L after it, as the I is one subtracted from theContinue reading “XLIV Pushcart Prize Collection”

Poetry as a Wedge

In the Q&A with Cathy Park Hong called “Double Doors Open” by Dana Isokawa in the May/June 2020 Poets&Writers Magazine, the word “wedge” is used three times in three different ways. Dana Isokawa writes, “I spot Hong’s three poetry titles on a top shelf, wedged between Homer’s Odyssey and Garrett Hongo’s Coral Road.” In answerContinue reading “Poetry as a Wedge”

The Violence of Poetry

In the Q&A with Natalie Diaz called “Energy” by Jacqueline Woodson in the March/April 2020 Poets&Writers Magazine, Natalie Diaz said, “I have lived many lives. I have tried and failed at many things. I have won and lost much. I don’t know much, but I believe language lasts. In all its violence and tenderness, itContinue reading “The Violence of Poetry”

Unpinnable Poetry

In the Q&A with Natalie Diaz called “Energy” by Jacqueline Woodson in the March/April 2020 Poets&Writers Magazine, Natalie Diaz surprised me with the word, “unpinnable.” She saidd, “I learned quickly that myth is what makes me dangerous—the ability to make a rock weep for its creator, a way to say the river runs through myContinue reading “Unpinnable Poetry”